2026.01.31 台湾映像作品上映 artXtension vol.1 『Un/Uttered』

artXtension(アート・エクステンション)は、「企画の地産地消から巡回へ」をキーワードに、各アートスペースが企画したプロジェクトを、国内外に巡回させることで、より多くの観客や地域に届けることを目的とするネットワークです。

第一弾は、2024年にTRA-TRAVEL(大阪)が、台湾のコレクティブOCAC内のチームP.M.Sと共に企画した、台湾の映像スクリーニング『Un/Uttered』を国内8箇所のアートスペースに巡回します。

本スクリーニングは、台湾における異なる先住民族コミュニティのアーティストたちによる映像作品から構成され、Un/Uttered(発話されること/されないこと)の微妙なバランスを操り、複雑な現代社会の中で個人の存在の本質にアプローチする作品に焦点を当てています。この隣国、台湾で制作された映像作品を通じて、都市文化と伝統文化、人間と自然、ジェンダーの捉え方、複雑な現代社会におけるアイデンティティなど、さまざまな境界を問い直す機会にしたいと思います。巡回5箇所目は「Center(栃木県鹿沼市)」です。ぜひお越しください。

<巡回5箇所目>
日時:2026年1月31日(土)
15:00〜17:00
会場:Center(栃木県鹿沼市銀座1-1273) 
料金:1000円+1ドリンクオーダー
※予約優先
予約はCenterまでメール(info@center-kanuma.net)/SNS/店頭にて
*問い合わせ先 Center @center.kanuma


■上映作品
「ロストデイズ」 監督:Kawah Umei|台湾|2019|カラー|30分 @kawah_umei
「私は女、私は猟師」監督:Rngrang Hungul|台湾|2022|カラー|17分 @navayu
「Ugaljai」監督:Baru Madiljin|台湾|2016|カラー|4分 @baru_madiljin
「Misafahiyan 変身」監督:Posak Jodian|台湾|2022|カラー|16分 @posakjodian
 *上映後に、Centerによる解説トークを実施します。

■P.M.S.
P.M.S.は、美学、文化、政治など、映像に関連するさまざまな関心を共有する「Posak Jodian」、「
manman」、「Sophie Chen」によって2022年に設立以降、複数の上映イベントを行ってきた。主に先住民コミュニティとジェンダーの流動性をテーマに扱っている。上映後にはディスカッションの時間を設け、多様な視点を共有し相互理解を広げ、個人と集団の力学について考察する。


OCAC(Open Contemporary Art Center)
2001年に台北の板橋で設立されたOpen Contemporary Art Center(OCAC)は、バンコクや台北の
様々な地区を拠点に進化を遂げてきたアーティストコレクティブ。初期にはアーティストスタジオ、ブッククラブ、展覧会などのプログラムを提供していましたが、現在では特にタイのアーティストとの国際的なつながりを深めるための「ThaiTaiプロジェクト」を通じて成長を遂げています。現在は9人のメンバー全員が活動中のアーティストで、OCACは現代アートシーンにおける多様な対話と芸術的可能性を促進するシンクタンクおよびプラットフォームとして機能しています。

TRA-TRAVEL (大阪府 大阪市) 
TRA-TRAVELは2019年に設立され、これまでに15カ国以上、50名を超えるクリエイターとともに展覧会、レジデンス、トーク、アートツアーなどのプロジェクトを実施してきた。また、独自のスペースを持たないという特性を活かし、プロジェクトの企画実施に特化。国内外のアートスペース、映画館、シェアオフィスなど多様な場と連携しながら、柔軟なアートプロジェクトを展開する「モバイルプロジェクト」で活動し、社会に持続可能な芸術交流の形を提案している。これまで、おおさか創造千島財団、国際交流基金マニラ日本文化センター (フィリピン)、Sàn Art (ベトナム)、OCAC (台湾) などと協働するなど、毎年新たな地域と共にプロジェクトを行い、国内外のアートネットワークをつないでいる。
https://tra-travel.art/

■ 主催: TRA-TRAVEL
■ 共催: ​ Art&Garden ねこぜ、Seasun、AIR motomoto、Center / Alternative Space and Hostel、TPlat(一般社団法人鳥取クリエイティブプラットフォーム)、スタジオピンクハウス+アートギャラリーミヤウチ ​
@artandgarden_nekoze @seasun__art @air_motomoto_jp @center.kanuma @totto.tottori @pinkhouse_hiroshima @artgallerymiyauchi
■ キュレーション: P.M.S. @probablymeaningsomething
■ 協力: Q SO-KO、ホスピテイル・プロジェクト実行委員会、子どもの人権広場
■ 助成: 大阪市
(敬称略、順不同)

※ 本プログラム制作は、2024年に以下の団体からの助成により実現しました:
大阪市、芳泉文化財団、國家文化藝術基金會(台湾)、台北市文化局 (台湾)
※ 2024年のプログラム内容から、一部変更されています。

______________


■巡回スケジュール
2025/11/29 13:30-16:00 鳥取県 鳥取市:旧横田医院  ​
2025/11/30 14:00-16:30 鳥取県 米子市:ちいさいおうち
2025/12/13 愛知県 名古屋市:Q SO-KO
2025/12/14 大分県 別府市:Art&Garden ねこぜ 
2026/1/31 15:00-17:00 栃木県 鹿沼市: Center / Alternative Space and Hostel 
2026/3/20(金祝)〜4/5(日)10:00-17:00(火・水曜休み)
広島県 廿日市市:アートギャラリーミヤウチ ​ ​ ​


<スケジュール調整中>
熊本県 荒尾市:AIR motomoto
大阪検討中

*上映作品、営業時間、入場料などは、各場所によって異なります。詳細は、各スペースのSNS、ウェブサイトを参考にしてください。

「ロストデイズ」 監督:Kawah Umei
「私は女、私は猟師」監督:Rngrang Hungul
「Ugaljai」監督:Baru Madiljin
「Misafahiyan 変身」監督:Posak Jodian

artXtension vol.1 「Un/Uttered」

artXtension is a network based on the concept of “from locally rooted initiatives to traveling projects.” Its aim is to circulate projects originally organized by individual art spaces to other regions—both within Japan and abroad—so that they may reach new audiences and communities.
For its first edition, artXtension will tour “Un/Uttered,” a screening program originally organized in 2024 by TRA-TRAVEL (Osaka) and OCAC (Taiwan) in collaboration and curated by P.M.S.

The program presents video works by artists from diverse Indigenous communities in Taiwan. Each work delicately explores the tension between what is uttered and unuttered, seeking the essence of personal existence within the complexities of contemporary society. Through these films created in our neighboring country, Taiwan, the program invites audiences to reconsider the boundaries between cultures, humans and nature, perceptions of gender, and identity in the modern world.
The fourth stop of the tour will be Art&Garden Nekoze, Beppu City, Oita Prefecture). We warmly invite you to join us.

<Screening 5>
Date & Time: Saturday, January 31, 2026 15:00–17:00
Venue: Center (1-1273 Ginza, Kanuma City, Tochigi Prefecture)
Admission: 1,000 yen + 1 drink order
*Priority given to those with reservations.
Reservations: Please contact via email (info@center-kanuma.net), SNS, or in-person.

■Program
“Lost Days” Director: Kawah Umei|Taiwan|2019|Color|30 min
“I Am a Woman, I Am a Hunter” Director: Rngrang Hungul|Taiwan|2022|Color|17 min
“Ugaljai”  Director: Baru Madiljin|Taiwan|2016|Color|4 min
“Misafahiyan Transformation” Director: Posak Jodian|Taiwan|2022|Color|16 min

Curated by: P.M.S.
Organized by: TRA-TRAVEL
Co-organized by: Art & Garden Nekoze, Seasun, AIR motomoto, Center / Alternative Space and Hostel, TPlat (Tottori Creative Platform Association), Studio PINKHOUSE + Art Gallery MIYAUCHI
Supported by: Q SO-KO, Hospitale Project Executive Committee, Kodomo no Jinken Hiroba (Children’s Human Rights Plaza)
Grant support: City of Osaka


This program was made possible with grants from the following organizations in 2024: City of Osaka, Housen Cultural Foundation (Japan), National Culture and Arts Foundation (Taiwan), and Taipei City Department of Cultural Affairs (Taiwan).
Some program details have been modified from the 2024 version.

■ Touring Schedule
-Nov 29, 2025 / 13:30–16:00 – Tottori City, Tottori Prefecture: ​ Kyū-Yokota Clinic (Cotomeya annex building)
-Nov 30, 2025 / 14:00–16:30 – Yonago City, Tottori Prefecture: Chiisai Ouchi
-Dec 13, 2025 ​ – ​ Nagoya City, Aichi Prefecture: Q SO-KO
Contact: Seasun
-Dec 14, 2025 – Beppu City, Oita Prefecture: Art & Garden Nekoze
-Jan 31, 2026 / 15:00–17:00 – Kanuma City, Tochigi Prefecture: Center / Alternative Space and Hostel
-Mar 20 (Fri, national holiday) – Apr 5 (Sun), 2026 / 10:00–12:00, 13:00–15:00, 15:00–17:00 (Closed Tue & Wed) – Hatsukaichi City, Hiroshima Prefecture: Art Gallery Miyauchi

<Schedule being arranged>
Kumamoto Prefecture, Arao City: AIR motomoto
Re-screening in Osaka is also under consideration.

■ P.M.S.
Founded in 2022 by Posak Jodian, manman, and Sophie Chen, P.M.S. is a collective that shares diverse interests in aesthetics, culture, and politics related to moving images. The group has organized multiple screening events, mainly focusing on Indigenous communities and the fluidity of gender. After each screening, they hold discussions to share multiple perspectives, foster mutual understanding, and explore the dynamics between individuals and communities.


■ OCAC (the Open Contemporary Art Center)
https://www.facebook.com/opencontemporary
Founded in 2001 in Banqiao, Taipei, the Open Contemporary Art Center (OCAC) is an artist collective that has evolved across different districts in Taipei and Bangkok. Initially offering artist studios, book clubs, and exhibitions, OCAC has since grown through international collaborations, particularly its ThaiTai Project, which connects artists from Thailand and Taiwan. Currently composed of nine active artist members, OCAC functions as both a think tank and a platform that fosters diverse dialogues and artistic possibilities in the contemporary art scene.

■ Participating Art Spaces (Organizers and Screening Venues)
Art & Garden Nekoze (Beppu, Oita)
An alternative space combining a gallery, kitchen, gathering area, and garden. Located
about a 5-minute walk from Beppu Station, it was renovated and opened in 2023. The
space hosts exhibitions, artist residencies, talks, and screenings. Its café “Kissa
Neko-jita,” open only during events, serves original menus inspired by each exhibition.
With the motto “When we see someone’s NEKOZE, adjust our NEKOZE. But still,
NEKOZE is comfortable” the space is collaboratively run by members utilizing their
individual strengths.
Website | Instagram

Seasun (Nagoya, Aichi)
Established in Nagoya, SEASUN aims to be a hub where people can always engage
with contemporary art and culture from Southeast Asia. It focuses on exchange
between Southeast Asia and Japan through art and culture, organizing and managing
projects such as artist residencies, community exchanges, academic collaborations,
screenings, talks, and parties.
https://seasun-art.com/

AIR motomoto (Arao, Kumamoto)
A micro-residency facility located in Arao City, northern Kumamoto. Founded by
contemporary artist Hanako Miyamoto, a native of Arao, who revitalized a local space
for this purpose. The name “motomoto” comes from both Kumamoto and Miyamoto,
and also from the Japanese phrase “dame de motomoto” (“nothing ventured, nothing
gained”), carrying a positive nuance. Operated by Miyamoto and Valeria Reyes, the
residency provides a relaxed environment for artists to focus on their own work, with
participants personally invited by Miyamoto.
https://www.motomoto-air.com/

Center / Alternative Space and Hostel (Kanuma, Tochigi)
A multi-purpose, artist-run facility in Kanuma City that combines lodging and art
programming. Founded in 2022 by sound artist Madoka Kawano and filmmaker
Masahiro Tamaki, who left their corporate jobs in Tokyo to move back to Tochigi. They
renovated an empty shop in a declining arcade, creating a one-of-a-kind venue
centered on experimental film and music, open to both locals and visitors. Their motto,
“Making tomorrow a bit more enjoyable,” reflects their vision to nurture alternative
expressions and local community ties while raising children. In 2025, they officially
launched an artist-in-residence program, Center AiR.
https://center-kanuma.net/

TPlat (Tottori Creative Platform Association, Tottori)
https://tplat.org/
TPlat was established in November 2024 as a platform connecting individuals and
organizations engaged in creative activities within and beyond Tottori Prefecture,
aiming to weave a richer daily life for local communities. Its origins trace back to the
Tottori Geijusai Artist-in-Residence Project (2014–2015), which took place across 10
sites in the prefecture. In 2016, the participating groups formed the Tottori Geiju
Executive Committee, launching the web magazine +○++○ (Tott) in 2017. To further
develop these initiatives, TPlat was incorporated in 2022 under Japan’s Dormant
Deposit Utilization Project. Its mission is to sustain creative and autonomous activities
that enrich local life, even amid population decline and reduced resources.

Studio Pink House + Art Gallery Miyauchi (Hatsukaichi, Hiroshima)
Instagram – Pink House | Miyauchi Foundation
Studio Pink House, recognizable by its pink exterior, is a shared studio founded by
artist Motoki Isayama and painter Yuki Tejima in part of a former warehouse of Art
Gallery Miyauchi, repurposed in 2015. During the pandemic in 2020, it was renovated
into a multi-purpose space. Since 2022, they have organized the “Pink de Tea Time”
program for student–curator–artist exchange, and since 2023 have opened “Pink Café”
during exhibitions as a space for rest and conversation.
Art Gallery Miyauchi, established in 2013 by the Miyauchi Art Foundation, functions as
a small museum since 2020. It hosts exhibitions related to Hiroshima, along with
numerous workshops and lectures, and actively collaborates with artists on site-specific
projects. Together with Studio Pink House, the gallery serves as a hub revitalizing the
local art scene through a growing network of creative activities.

TRA-TRAVEL (Osaka)
https://tra-travel.art/
Founded in 2019, TRA-TRAVEL has collaborated with over 50 creators from more
than 15 countries through exhibitions, residencies, talks, and art tours. Operating
without a permanent venue, TRA-TRAVEL focuses on designing and implementing
flexible “mobile projects” in partnership with various art spaces, cinemas, and
co-working hubs in Japan and abroad. Its projects promote sustainable forms of
international artistic exchange. Collaborations include organizations such as the Osaka
Chishima Foundation for Creative Arts, Japan Foundation Manila (Philippines), Sàn Art
(Vietnam), and OCAC (Taiwan). Each year, TRA-TRAVEL expands its network through
new regional collaborations that bridge local and global art communities.

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